TV pilot vs. TV spec
This made me think on the value of writing a pilot as part of the writers arsenal. Not just a selling tool for the series, the pilot is a great reading sample to prove yet another skill set.
And when you're trying to get a staff job on a tv show, what's the best writing sample? Is it better to write a spec episode of a popular show or a spec pilot?
Hands down it's the pilot. If you're trying to figure out a new episode of Breaking Bad, or Awake or dare I say, House, don't. I know one of the writers on House. And they're very clear when they're looking at new writers that the spec episodes of popular shows are no longer the way in. "It feels stale...we want to hear new voices," is the best paraphrasing of our discussion. "Write something new."
So if you're going to the trouble of creating a spec script to begin with, make sure you're writing the right kind.
Want to write for One Tree Hill? Walking Dead? Desparate Housewives? Look at the format, hour or half hour? Look to the genre, teen drama, thriller, dark comedy? And think of a new world in that drama.
There's multiple upsides - you're not just creating a writing sample, but a potential shot of your own.